Animal Afterlives
Murphy, Alexandra (2021) Animal Afterlives. [Show/Exhibition]
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Image (Credit: Alexandra C. Murphy)
18456_Murphy_A_1.jpg - Other Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (668kB) | Preview |
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Image (Credit: Alexandra C. Murphy))
18456_Murphy_A_2.jpg - Other Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (544kB) | Preview |
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Image (Credit: Alexandra C. Murphy)
18456_Murphy_A_3.jpg - Other Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (1MB) | Preview |
Abstract
Natural history museums display and store preserved animals in such a way that they, at first glance, appear to be living, but in reality they are lifeless and fixed in position. When these specimens are photographed, their stillness becomes further frozen in time. Alexandra Murphy has photographed different taxidermy specimen collections in UK and US museums, in an exploration of the photograph’s relationship with preservation, representation, life and death, past and present. The works in the exhibition explore a range of different photographic methods and materials from retouched digital photographs, prints embedded in resin and nineteenth-century photographic processes to produce the salted paper print and carte-de-visite albumen print.
Item Type: | Show/Exhibition |
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Keywords: | Photography, Natural History, Taxidermy |
Depositing User: | RED Unit Admin |
Date Deposited: | 22 Oct 2021 08:39 |
Last Modified: | 04 Nov 2021 11:56 |
URI: | https://bnu.repository.guildhe.ac.uk/id/eprint/18456 |
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